Martin Scorsese says superhero movies are ‘not cinema’. Is he right? Is arty Hollywood really opposed to commercial Hollywood? by Julian Lawrence Oct 28, 2019May 5, 2020 / 6 mins /
Can ‘Ne Zha’, a child demon with $1b at the box office, teach Chinese how to raise good kids? by Shih-Wen Sue Chen Oct 23, 2019May 5, 2020 / 4 mins /
‘Joker’: a descent into madness in Gotham City by Ana Sánchez de la Nieta Oct 11, 2019May 1, 2020 / 2 mins /
‘Chernobyl’: how mass mobilizations saved Europe and doomed the Soviet Union by Gregory R. Witkowski Sep 27, 2019May 1, 2020 / 3 mins /
‘Overcomer’: broken lives beating the odds with faith by Jean Seah Aug 30, 2019May 1, 2020 / 2 mins /
‘Good Boys’: a beginner’s guide to child exploitation by Michael Cook Aug 19, 2019Apr 19, 2020 / 3 mins /
‘Once Upon a Time … in Hollywood’ — definitely Tarantino, and definitely not his best by Carmen Azpurgua Aug 16, 2019May 1, 2020 / < 1 min /
Netflix and the streaming revolution: opportunities and threats in TV drama by Armando Fumagalli Aug 5, 2019May 1, 2020 / 6 mins /
Reclaiming our common humanity in the art of classic movie storytelling by Onalee McGraw Jul 23, 2019May 1, 2020 / 6 mins /
For Spider-Man, far from home, it’s time to man up by Laura Cotta Ramosino Jul 19, 2019May 1, 2020 / 2 mins /
Avengers: Endgame and the relentless march of Hollywood franchise movies by Daniel White Jul 18, 2019May 1, 2020 / 4 mins /
Dark Phoenix, a disappointing farewell to the X-Men franchise by Cassandra Albani Jul 5, 2019May 1, 2020 / 2 mins /
